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The smith and his god, the paired brass figures that carried the authority of the Ogboni society, the women who built pots without a wheel, the carved and burnt calabash, and the leather trades of Ilorin and Oyo.

Thirty-four Yorùbá proverbs on carving wood, working clay, and the calabash and pot as made objects, on what a maker can and cannot do, and on the work that outlasts the worker, presented with the original, a literal gloss, a named translation, and the situation each is spoken in.

An examination of Yoruba ceramic traditions, detailing technical processes, female potting lineages, ritual and domestic vessel typologies, documented master artists, archaeological chronologies, and debates surrounding provenance and restitution.