Àkọsílẹ̀ 694 ní àwọn apá 38. Ṣàyẹ̀wò nípa apá, ìpele, ìdánilójú tàbí àmì.
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The criteria Yoruba critics actually use to judge a carving, why the language and its praise poetry are the entry point rather than the ornament, and what goes wrong when European art-historical categories are applied to this material.