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Why a Yoruba dancer has to understand drum language, the aesthetic of dancing hot with a cool face, and the line from the Alarinjo masque theatre through Ogunde, Ladipo and Ogunmola to Nollywood.
Hubert Ògúndé and the Yoruba travelling theatre, Dúró Ládipọ̀, Kọ́lá Ògúnmọ́lá and Baba Sala, the film line from Ọlá Balógun to Túndé Kèlání and Kúnlé Afọláyan, and the visual artists from Lámídì Fákẹ́yẹ and the Òṣogbo school to Yinka Shonibare.
A comprehensive scholarly account of the life, dramaturgy, archival record, and historiographical debates surrounding the Nigerian playwright and folk opera pioneer Duro Ládipọ̀.