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What laboratory analysis of Yoruba iron, glass and dye actually shows, including the Igbo Olokun glass which turned out to be made rather than imported, and how the reducing chemistry of an indigo vat and a soap ash lye works.

An archaeometallurgical and art-historical analysis of Yorùbá iron smelting, blacksmithing technologies, sacred regalia for Ògún and Ọ̀sanyìn, and museum provenance debates.