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Why a Yoruba dancer has to understand drum language, the aesthetic of dancing hot with a cool face, and the line from the Alarinjo masque theatre through Ogunde, Ladipo and Ogunmola to Nollywood.

The town that replaced Ọ̀yọ́ as the dominant Yoruba power, the achieved-title constitution that let a farmer or an Ifá priest rise to command it, and the men who did.

Hubert Ògúndé and the Yoruba travelling theatre, Dúró Ládipọ̀, Kọ́lá Ògúnmọ́lá and Baba Sala, the film line from Ọlá Balógun to Túndé Kèlání and Kúnlé Afọláyan, and the visual artists from Lámídì Fákẹ́yẹ and the Òṣogbo school to Yinka Shonibare.