Explorar

Character as the whole content of Yoruba ethics, iwa pele and iwa rere, the identity of character with beauty, patience as the source of character, and an ethical system grounded in consequence and community rather than divine command.

An analysis of human destiny in Yoruba metaphysics, examining the tripartite taxonomy of destiny, the role of human striving and moral character, and how self-inflicted ruin complicates fatalism.

The criteria Yoruba critics actually use to judge a carving, why the language and its praise poetry are the entry point rather than the ornament, and what goes wrong when European art-historical categories are applied to this material.

What greeting encodes and why it is so elaborate, respect and seniority in daily conduct, hospitality, the full content of omoluabi, and how shame and reputation actually enforced behaviour.

Destiny, character, the inner head, what a person is, and how Yorùbá ethics works, in plain language.

How Yorùbá men's and women's garments combine into a complete ensemble, and how the resulting silhouette communicates character, status, and occasion.

Fifty-eight Yorùbá proverbs on character, presented with the original, a literal gloss, a named translation, and the situation each is spoken in.

An analysis of Rowland Abíọ́dún's scholarship, his indigenous linguistic paradigm for Yorùbá art history, and the debates surrounding his methodology.

Ìwà is not a personality trait or a rule you follow; it is the one thing Yoruba ethics actually measures you by, and understanding that changes how every other idea in this corpus reads.

How the tradition actually frames moral categories, why the Christian good/evil binary maps badly onto it, ìwà as the measure, Èṣù's place in the picture, and what ibi, evil or misfortune, actually denotes.

A clarification of the distinct constituents of personhood, destiny, and moral agency in Yoruba thought that are routinely conflated in English translations.